Kai’s Anime Backlog


Backlogs, who wouldn’t have them? Especially with time constraints, backlogs tend to grow overwhelmingly huge over the long term and before we know it, we are faced with an almost unbreakable wall of piled up unwatched anime.

During the winter season, I decided to pick as less anime as possible since I want to catch up on some old ones. For better or for worse, there are more good 20+ episodes anime then I thought from the previous Fall season, where I was forced to contribute more of my time for during my “winter session.” In the end, I wasn’t even able to finish through halfway of the anime in my backlog but either way, I’m still happy with my progress, which I think it’s a pretty good achievement considering how restricted my free time is nowadays. Here are some anime I finished, and my impressions on them (Note: For all these shows, I mostly finished all of these, and even multiple seasons if available, I however didn’t watch any bonus episodes, OVA, etc..)


Sayonara Zatsubou Sensei (season 1 to 3)

I marathon all of them in a row, and I can only asked myself “Why didn’t I watch it earlier?” It’s definitely not Gintama, but it’s still a great anime, and portrays jokes in a manner quite similar, yet very different then that of Gintama. Philosophical humors are always present as you follows Itoshiki Nozomu, a young man who even the slightest negativity causes him the urge to commit suicide. Such a man became a high school teacher, instilling his extreme negativity and despair to his own students.

While being a comedy, each episode Sayonara Zetsubou Sensei mostly talks about minor but intriguing concepts and themes, and I’m sure if I were watching anime earlier, and chances are, if I’m blogging earlier too, I would write tons of posts on them. “SZS: Trivial Details instead of Main Subject – A Study of Aesthetics of the Human Eye”, “SZS: A “Duty” To Serve Expectations”, “SZS: The Aspect of a Third Choice”, “SZS: Optimism and Pessimism” and so on. Just look at all the cool titles I can come up with, I would totally write them just from these cool titles alone.

There are a lot of great soundtracks too. From some literally despair-instilling track, to some oddly peaceful ballads and even some piano and violin solos, the albums of Sayonara Zetsubou Sensei is noteworthy. Of cause, the anime is by Shaft, and they are most known for their interesting symbolism, vague representations and dialogue-focused sequences. If you like Bakemonogatari, I’m sure you would love all these aspects of Sayonara Zetsubou Sensei too.

And I heard the manga had a shocking ending too, so shocking that it left all it’s readers in despair. I’m going to read it soon too, so that I can attain an even higher level of despair…

Natsume Yuujinchou (season 1 to 4)

Natsume Yuujinchou is one of those anime which I had weirdly left out in my backlog for a considerable long amount of time, despite the popularity the franchise had. Natsume Yuujinchou tells the tales of a young boy who can see youkai, and the best part of the anime is his interactions and relations with both humans and youkai. As a “special” person acting as a boundary on both sides, how much burden he had to shoulder is unthinkable. He had no one to console with too, as most humans wouldn’t believe him. As the anime progresses however, he begun to make more and more friends from both sides, and his values in them evolved over the course of the series.

Of cause, the best character in the series, is Madara, or Nyanko-sensei. He is huge and cute – a furry ball of white cat, in the form of a “lucky cat”. He is Natsume’s bodyguard and protects him from quite a lot of crisis, though their relationships are interesting to say the least – complicated, but, comedic at times.

In the end however, under all the youkai fiasco, Natsume Yuujinchou is still a relaxing, soothing and gentle anime that tells how a kind boy who can see youkai, grow up to accept himself and those around him, and how others react to his extremely kind personality, humans and youkai alike.

Cowboy Bepop

Space and Gintama – I think that’s one of the way to describe this anime. The bounty hunters struggle with any kinds of missions, just so they could put some food on their table, reminds us of a certain Yoruzuya, no?

The depth of their own characters are one of Cowboy Bepop’s strong points. Former mobster, Spike, former cop, Jet, gambler, Faye and hacker, Edward; the four of them does sparks off a weird chemistry. Most of the anime are in episodic format but the main characters underwent gradual developments along the course of the anime, and also a majority of their past are also shown.

The quality of the animations are certainly way ahead of it’s time. Ironically, being “space themed”, the characters fight in a very realistic physical manner, with no superpowers at all. Weapons of choice are also mostly the good old classic guns; classic firepower. The realism of the actions does create some fancy fight scenes however, and it’s certainly unique from other superpower action anime of that time like..

Then, there’s also the music. Perhaps it’s because I watched Sakamichi no Apollon, but I feel that Cowboy Bepop’s Jazz soundtracks are great. In fact, when I’m craving for anime Jazz, Cowboy Bepop is always one of my main choices, the others being Baccano! and of cause, Sakamichi no Apollon.

Unlike Gintama however, Cowboy Bepop ended at 20+ episodes, in a dramatic and spectacular way too, I might add, though a bit tragic. As Cowboy Bebop is a classic, I wondered if it will actually feels different if I actually watch it when I’m younger. I do feel that some “magic” seems to had been lost when I watched Cowboy Bebop, considering how much anime I had already watched before this. This will be a discussion for another time anyhow.

Kannazuki no Miko

Yuri. This is the one word that attracted me to watching it. However, it goes to show that I shouldn’t be so easily influenced. Kannazuki no Miko isn’t as good as I made it out to be. The story I would say, actually had quite the interesting premise – Mecha and Shintoism. Contrast sometimes manifest the best of creations, and religions versus sci-fi in anime is something I always like to see. Kannazuki no Miko however didn’t use the premise they created themselves as creatively, and just use their mecha just for “the sake of having fights.”

It doesn’t help that the characters aren’t really likable – they are too generic, and even the antagonists don’t look appealing, they don’t have the slightest impact. Not all, but most of them feels like Pokemon’s Team Rocket, a joke of a group of bad guys. After all, they had a pop idol, a catgirl and mangaka acing as antagonists, how will we even take them seriously? Chikane and Himeko themselves, especially the latter, remains a damsel in distress for the majority of the anime too, and always had Souma coming to save the day. Either way, all the characters feel too dull, no developments and exposures, and they are already fundamentally overused archetypes too.

Whatever yuri scenes the anime had however, becomes a saving grace for the show (more of my own subjective opinion), though I’m still not sure if I would recommend this. If you can get through the painful cliched storylines, bland characters and melodramatic romance (yuri is lovely though), why not?

Hidamari Sketch

Hidamari Sketch is an anime I wished to have watch in a better and slow-and-steady situation rather then rushing everything through. Perhaps I could watch them when my life is actually less hectic, but there are just too many seasons for this that I just decided to marathon all of them through.

Yuno managed to enroll in Yamabuki Arts High School, and while she had to move away from her family, luckily, her neighbors, who are also her schoolmates, in her new Hidamari apartments are just as friendly.

Hidamari Sketch is fun, and it is interesting for Shaft to mingle with the “cute girls doing cute things” formula too, something KyoAni is more accustomed with. Of cause with a slight twist of “Shaftism”, the anime also featured animations with vague, symbolic representations. I would say heavy dialogue as well though the interactions they had aren’t as major as a topic you would find in Saynoara Zetsubou Sensei nor the Monogatari series. It’s just “cute girls doing cute things” aforementioned, and it’s just “girls talk”. It’s certainly fun and relaxing, especially considering the fact that the anime almost always end with Yuno bathing in the end (in slight cases, other girls are shown bathing too).

Like I said, I would had prefer to watch this anime when I’m in a less hectic mood, and think I would had enjoyed it more. Guess it goes to show that even mood or time affect our enjoyment in watching anime as well, though this is a discussion for later on.


I had always wondered how Baccano, which was wrote by the same author who did Durarara would fare, and it doesn’t fail my expectations. Bright, colorful cast of characters and vibrant but mysterious settings. Of cause, the most unique thing for Baccano is it’s unique way of establishing it’s stories.

When I was writing my Order of Watching Anime post, I didn’t include it in my post though there were mentions of it in my comments. There are a lot of anime which aired in non-sequence manner, and Baccano’s storytelling is one of the most messed up ever, especially in terms of order. Anime like Haruhi shift the order of the episodes but in Baccano, even scenes within a single episode is all jumbled up. All the scenes keep jumping back and forth that you might even had problems trying to figure out just which time that particular scene is supposed to unfold.

That ironically becomes one of Baccano’s highlights. As said in my Order of Watching Anime post, it’s best to just watch anime in the order it was laid out, and I believe it’s the best experience one can get out of watching a particular show by doing so. Of cause, with such a heavy-content anime like Baccano that deals with gangs, immortality and alchemists, it’s weird that the anime is able to fit in so many contents in just a 10+ episodes, but with the chaotic way it executes them, all the contents oddly fit. Baccano is definitely one of those anime with the most unique way of presenting it’s storylines, and I like how all the branching storylines which doesn’t seem relevant at first, are actually part of a larger plot.


Luckily, I managed to finish this anime earlier just before the upcoming second season start. Directed by the same person who did Aria, I was interested to see if this anime had the same “healing” abilities that Aria had – and it did, though not as strong.

Sawatari Fu, the main character in Tamayura took up photography in place of her father’s death. Moving back to her homeland, she meets some of her old friends, and starts to form many memories within the small magical island, and Fu tried to catch all these magical moments with her camera. The aspect of death may be misunderstood that this may become some sort of dark familial drama, but it really is a “healing” anime just as advertised – relaxing and soothing: empathy of serenity.

It’s not Aria definitely, but the anime is still a relaxing and pleasurable ride towards the end, and I will be sure to check out season two when it’s out.

Arakawa Under the Bridge (season 1 and 2)

Arakawa Under the Bridge was an anime I watch solely for more Sugita Tomokazu, the man with thus husky voice behind Gintoki (Gintama), Kyon (Haruhi) and Usui (Sket Dance). Little did I notice that Kamiya Hiroshi, who did voice-overs for Araragi (Monogatari series) and even Itoshiki Nozomu from aforementioned Sayonara Zetsubou Sensei, was also involved in the overall seiyuu cast, with him voicing Ichinomiya Kou, the main character of Arakawa Under the Bridge. This heightens my interest to new bounds: Sugita Tomokazu who did so many voice-overs on comedy-type characters and Kamiya Hiroshi who voiced certain characters from philosophical anime, how much chemistry would these two seiyuu and their respective characters clash with each other?

The anime also set the perfect stage for them. Ichinomiya Kou who found Nino near the Arakawa river, and while the anime makes them an almost canon couple, the hilarious “Hoshi” always come meddling in their affairs – a love triangle. And indeed, Hoshi is voiced by Sugita Tomokazu as opposed to Ichinomiya Kou being voiced by Kamiya Hiroshi. The two always argue and fight with each other, always leading the situations to very hilarious atmospheres. That’s not saying that the other characters aren’t as attention-grabbing, in fact, they are just as wacky, or perhaps several times more. A kappa, a cross-dressing war-torn Sister, a super strong loli with morphing abilities; “Under the Bridge” of the Arakawa River is lived by one of the few most bizarre bunch of people ever to be found.

There are also bounds of parodies to be found, and like Gintama, I find the way they execute parodies flawless. Arakawa Under the Bridge is a very hilarious anime, and now that I had watched it, although it’s definitely not quite there in comedy values as compared to Gintama, it’s close. Did I mention the anime received the “Shaft treatment” as well?

Kodomo no Jikan

Googling Kodomo no Jikan and searhing it in MAL, sometimes it led me to a certain hentai, but I swear I didn’t watch that. Instead, I watched this. Kodomo no Jikan follows Aoki Daisuke, who was just recently assigned as a 3rd grade school teacher. He ended up making the worst first impressions in school, accidentally opening the classroom when the girls are changing. It’s an extremely bumpy ride from there, trying to get the little kids to understand while teaching them, yet still trying to have fun with them as much as possible.

Kodomo no Jikan portrays some interesting aspects of parenting. It also had some interesting points of views from the kids themselves too. Kokonoe Rin for example, wants everyone, and especially Daisuke himself to see her as an adult, and while there are some “funny” moments, I would think Daisuke could only see her as a kid ultimately. Some of the kids also has a justified reason as to why they are scared of adults but vice versa, some adult, especially Kokonoe Renji, are extremely protective of Rin, despite a bit twisted.

Kodomo no Jikan isn’t Usagi Drop definitely, but it’s still a somewhat good anime to watch, though the comedy slice-of-life moments might get bland and repetitive to watch over time.

This entry was posted by Kai.

31 thoughts on “Kai’s Anime Backlog

  1. instead of clearing my backlog I often tend to pick other shows for marathoning.

    Sayonara Zatsubou Sensei was great, even though it had no story after the character introductions ended.
    Aside from being hilarious, the show was quite focused on the female characters and their female attributes.
    Arakawa Under the Bridge was compareable with Zetsubo, but unfortunately it also had no real story after the introduction of the cool characters. Only consisting of comedy doesn’t work forever for me.

    I always wanted to watch Baccano, but somehow it didn’t worked so far :(
    I might also like Natsume Yuujinchou, the setting sounds quite interesting.

    Kodomo no Jikan *cough* so far I was too scared to watch it, it smells too much like lolicon from what I’ve heard.
    I always felt that it had this kind of reputation, I only has the scene in mind where someones crotch is attached to the teachers face XD Well, I haven’t seen it myself, so Im asking you “Can I watch this show without feeling uncomfortable?”

    “LoL* you compared everything with Gintama? :p

    • I can’t really marathon on current airing shows (I always wait until a whole bunch of them was aired or they are completed), so it’s either that or my huge pile of backlogs.. xD

      And those attributes are why I compared them to Gintama. They are known to be the more random comedy type of anime, although Gintama still triumph in that, Sayonara Zetsubou Sensei and Arakawa Under the Bridge are still great anime by themselves. I know that being “plotless” would turn off some people away from the anime, Gintama, is plotless for the most part too, luckily, they have a very slow, vague and gradual story progression.

      Baccano is an interesting watch, but I’m planning to rewatch it soon so that I can absorb the content better, lol.
      Indeed, Natsume Yuujinchou is a great series, I can kinda understand the hype behind the series^^

      For the most part, especially the first half, there are a lot of fanservice-y and ecchi scenes, which are typical of most anime nowadays, so I don’t think it’s particularly disturbing (they aren’t actually doing any H-stuffs anyhow). I don’t think much of that part actually, I actually like the darker parts of the anime.

      Only three of them @.@

  2. I have this bad habit of watching like the first episode of a series and then just leaving it around…it doesn’t necessarily have to be airing either. I just do that…so usually the shows I consider to be part of my “backlog” are those in which I’ve seen at least 3 episodes.

    • I don’t like leaving things unfinished, and tried to complete them as much as I can, even if the anime isn’t good, lol. Unless the anime is so bad I got no choice but to drop it.

  3. -Hidamari Sketch is a god-tier SoL anime…regardless of what anyone says. You can use the same excuse for NY, Aria, Tamayura, Sketchbook Full ColorS, Hyakko, (continues for 10 minutes).
    -Chikane and Himeko ARE the only reason to watch KnM, oh and Souma’s manliness. Denying Souma of his manliness is a crime against logic. the rest of the show however, yes, I cannot defend it as a show but honestly, WHO WATCHES KNM FOR ITS PLOT!?
    -Arakawa, I wanted to kill that blonde haired midget with my own hands. Actually, some of the characters should be killed by me.
    -Kodomo no Jikan: LOVED IT! I am honestly very tired of telling people “it’s not as bad as they think”. So I stopped trying.
    -I finished Zetsubou-sensei. First season was the best, 2nd season was more ecchi, but still good. Third season’s the weakest. It was that show that introduced me to what I love about SHAFT and manage to support the studio…even when they feel like lowering themselves to the otaku hive mind with het harems like the Gatari-Saga.
    -I honestly lost all interest of picking up Cowboy Bebop…unless I somehow see it on TV. Otherwise, I have no interest in watching it online.

    • Don’t think I watched everything you mentioned it, from the ones I know, they are exceptionally good SoL anime, Aria especially, it’s one of the best, since it’s even a sci-fi settings instead of a normal one.

      Indeed, yuri’s the first reason why I went ahead and check it out. Shouldn’t care much about the plot and just hope for more yuri goodness.

      But one of them even know CQC!

      Kodomo no Jikan surprises me too, I went in without much expectations but it’s better then I thought. Though I find it more interesting how easily it can lead me to another hentai anime instead.

      I went a bit backwards myself. I first watched Bakemonogatari and was introduced to Shaft, then Vampire Bund, then Denpa, and then Nisemonogatari. After that, I went backwards and checked out Zetsubou sensei and Hidamari Sketch. Zetsubou-sensei has an even bigger harem then a certain Arararagi though.

      I saw bits and pieces of it on TV back then, not sure if it’s the seires or the movie. It’s a great anime though.

      • Aria, Hidamari Sketch and Natsume Yojunchou are pretty much the Triforce of Life.

        True, Zetsubou-sensei is a harem as well but unlike the Gatari-saga, it’s not as in your face. Also, because most of the girls are insane, they aren’t as obsessed with eating strudel as the Gatari girls had become over time.

        I know Cowboy Bebop’s legendary but I still refuse to download it and prefer watching it on TV instead.

        • Triforce of Life. Reminds me of the Key Trilogy, or is it Key Quadology (There’s Little Buster now after all), whatever it is.

          There are some scenes like those in SZS too but I get what you mean. Excluding the artistic appeal, most of the girls in Monogatari series had turned into “something” over time, not like I’m complaining. Nekomonogatari is slightly better in that regard I guess.

          Yep, experience the old classics as they should be shown, nice. Though if your TV’s a high tech HDTV, that is kinda contradictory.

  4. Can’t say i’ve seen any of those, but they’re on my radar now. Unfortunately, my anime backlog will just continue to grow on me, as i’m not someone that enjoys marathon-watching series (unless i’m sick, perhaps). Watching an episode or two per day is more my style.
    Games are another story – it’s just a question of when I have the time to marathon them. Perhaps it’s because I don’t feel like i’m doing anything when i’m watching anime. Could be some sort of Digital Attention Deficit Disorder >.>

    • I see, I’m the complete opposite, lol. I prefer watching them marathon most of the time, but I know some shows are better watched on a more slower basis, but I still marathon them mostly.

      Well games are fundamentally different. Unlike anime, games take a much more longer time to finish. Persona 4 for example, it doesn’t take long to finish the anime, but I remember taking around 100 hours of gameplay for my Persona 4, as I’m going for perfection. Managed to get most of the rare persona though I still wasn’t able to complete the compendium to 100%

  5. Backlogging shows have become a bad habit of mine in recent years. There are some shows that I cannot complete or lack motivation to watch, but don’t really want to drop. Probably one of these days I will watch them, but it’s not anytime soon.

    • The way I watch them is kinda different. If I watch, I finish them. If not, I just push them back into my backlog, checking reviews and impressions help too.

  6. Hm, interesting.

    Sayonara Zetsubou Sensei is an anime I like and don’t like – I like it, but it’s zany, and since I like marathoning series, and I can’t handle marathoning series without a real plot who just try to be crazy, I sort of dropped it after 10 episodes. I need to pick it up at work – one episode a day is probably the best way to watch such shows (Kyouran Kazoku Nikki, Maria+Holic, etc.).

    How do you manage to marathon these series? What keeps you going in spite of the lack of a continuous narrative? I managed to get to like episode 12 of Gintama over two days, but I had no issue watching ~20 episodes of Fairy Tail in one go.

    I really need to watch Cowboy Bebop, the really shocking thing is that I own it legally, and had for like 8 years now, and still hadn’t watched it. Ok, I’m making a mental note to move it up my backlog list!

    PS. Arakawa under the Bridge’s heroine looks a lot like Kat from Gravity Rush. Great game if you own a vita.

    • I see, if you can’t seem to catch up on them marathoning, it is indeed wise to watch them in a different method instead, if you really wanna watch them of cause.

      It may be because I watched Gintama, the most random and craziest anime of all, so I got kinda used to randomness, especially with anime like Zetsubou sensei with no real plot other then being crazy. Comparing the two, Gintama is much, much more longer then Zetsubou sensei too, so if I can handle 200+ episodes of Gintama, why not Zetsubou sensei?

      It may also be something to do with my personality. If I don’t watch it, I don’t watch it, and if I watch it, I try my best to complete them.

      Yea, I actually have some pretty old Anime DVDs that I should watch too xD

      Hmm, indeed the design does look similar, lol. I don’t have a Vita though.

      • Well, Gintama actually has some more continuity and semi-plot going between episodes. The craziness there is hijinks. Sayonara Zetsubo Sensei isn’t really “crazy” as much as it is “plot-less”.

        Then again, I have no issue with episodics such as Mushishi, but they’re not comedies I for the most part don’t find that funny either. Hm.

  7. You should definitely check SZS manga, it’s stupidly mind-blowing.
    Out all of those, i like Natsume the most, beautiful anime with great OSTs. Brain Base did a good job animate it.

    • Yea it’s in my manga backlog. I want to check out the ending.
      And you reminded me that I still need to find the Natsume Yuujinchou OSTs, lol.

  8. Ah…anime backlog…this reminded of mine. I’ve cleared off some during my short break this week but those are more recent anime titles, not famous, old titles I actually really wanted to watch. Sigh. When will I ever get to them?

  9. My backlog had (had) 142 shows, and then there are the 26 on hold. You’re post just added one more to my backlog – I blame you! :)

    Most of the rest I’ve either already watched or plan to watch. Several are ones I’ve really enjoyed: Cowboy Bepop, Hidamari Sketch and Tamayura. I’m not sure I’d call Hidamari Sketch “God Tier”, but watching ANY episode is almost like hanging out with good friends.

    • You managed to clear off a lot. Haha, it’s one thing why I’m so scared to look around the internet for anime, my backlog just keeps increasing! What anime in my backlog caught your interest? ;p

      Indeed, Hidamari Sketch does project such familial friendly images. Tamayura too, is a nice anime and I’m glad you enjoyed it. Cowboy Bepop, needless to say, is another great show^^

  10. Pingback: Backlogging Anime: Why and Taking a Look Back | Chikorita157's Anime Blog

  11. Pingback: Kai’s Question #5 – Weekly or Marathon? | deluscar

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