All-time Favorite Anime
Gintama is to me, a comedic masterpiece. While it has shown time and time again that it can juggle between drama and comedy with utmost quality, the series’s main highlight is still definitely it’s satirical comedy, and is something most people would recognize the series by. Pulling out tons of jokes, parodies and references — Gintama is one of the craziest shows I have ever seen, and truly one of the greatest.
2. One Piece
There are a lot of elements which contribute as to why One Piece is such a great show. It has incredibly genuine characterizations which creates a cast of very believable friends; it has a creative and immersive world exploration perfect for it’s pirates/sea adventure theme; it has great soundtracks which just helps to get you into the mood whether or not the characters are fighting for their lives or crying their eyes out. One Piece is an excellent show and it made sense why even after 10 years, it’s still going strong-because it’s just that damn good.
3. Full Metal Alchemist: Brotherhood
Full Metal Alchemist: Brotherhood is another great shounen which really knows what it’s doing. Everything moves along in perfect pacing and every plot element introduced feels important-because all of them are actually building up to something. For the entirety of it’s 64 episodes, you get a show full of great content — fast-paced plot, action, drama, theme exploration and excellent characters.
Time travel isn’t uncommon in fiction as the trope has already been used in various shows. Steins;Gate however is one of the few shows who actually used “time travel” as the central theme of it’s story, and it’s definitely a time travel story done right. The expository is done well, especially considering the fact that this is actually a very heavy-infodumping series; but no doubt it’s also contributed to the fact that this series is carried by a group of well-written characters too.
Clannad understands slice of life needs a culminating impact. Clannad understands that life isn’t just all fun and games, and all these result in a very emotional Clannad After Story, which also makes the entire journey of the series to get there that much emotional, nostalgic and worthwhile. Clannad is regarded highly as a “crying anime”, it invokes a lot of nostalgia whenever the name is mentioned and for good reason. Like a master manipulator, Clannad is just so good at tugging our heartstrings that it’s hard not to feel emotional once you finish the series.
6. Code Geass
The moment I saw Lelouch’s theatrics, I knew I would be in one hell of an emotional ride, and Code Geass really delivers on all fronts. But it’s no exaggeration to say that the main highlight of the show is definitely the characters as they are indeed extremely well-written — all of them have clear goals and motives, and feel like real people. The two main characters especially paints a grey area on morality, which is always an interesting characterizing approach for me. Additionally the Death Note-style of outwitting your opponents and mecha battles just sealed the deal for me, and with the great, conclusive ending adding a nice finishing touch to this great anime.
7. Fate/Stay Night
Like it or not, Fate/Stay Night has really grown into a massive franchise over the years. Started as a visual novel, and then an average anime adaption by DEEN — the series has since grown by then, with excellent adaptions of the other routes, prequel, spin-offs, all with exceeding quality. Fate/Stay Night has an intriguing system and concept, but what makes the series so great is that it has always treat their characters very seriously-each of their goals, motives and flaws are all highlighted extremely well.
Toradora features one of my favorite anime couples ever, Ryuuji and Taiga. Going through hardships, misunderstandings, facing their real selves – it is a heartwarming sight to see two different individuals struggling through their love life, and finally discover the love that they had always wanted was always just right next to them. The paid-off after all the struggles and drama they went through, makes their new-found discovery with each other, and the conclusion that much bittersweet. I mean, I’m not even exaggerating here — Toradora is truly my favorite romance anime ever, no doubt also contributed by the fact that the show just understands how the genre works.
The entire theme behind Aria is the seeking of joy and happiness of everyday lives, the thrill and excitement behind the mundane; which I’m sure sounds familiar to you. Indeed, they honestly weren’t kidding when they say Aria is the mother of all modern moe anime, because this idea was eventually turned and manifested into a genre years down the line. Watching Aria is certainly a therapeutic experience, but aside from having such an inviting world, it’s good character-driven storytelling means that characters are slowly, subtly but surely growing as you progress along the episodes. Aria is an excellent iyashikei that managed to accomplish what it aimed for almost effortlessly.
10. Higurashi no Naku Koro ni
Anime adapted from visual novels have always been pretty iffy. But fortunately Higurashi’s adaption is good, I feel it was able to capture the “psychologically haunting” spirit of Ryukishi07’s writing perfectly. In fact I dare say it even bolstered it, what with the improved art, music and animation. The anime is just so good at foreshadowing, at showing you that something is wrong despite the peaceful surface. As a psychological horror, Higurashi is truly one of the best.
11. Sakamichi no Apollon
Sakamichi no Apollon tells a life-inspiring, coming-of-age tale of Nishimi Kaoru as he discovered how fun and exciting jazz music can be. At it’s very base, Sakamichi no Apollon tells a coming-of-age story dealing with the protagonist’s maturity and self-discovery, and the element that supports this development is, you guessed it, jazz. As Kaoru discovered jazz music, he also found his new best friend, and at the same time, also discovered his new self. While the anime has one of the best jazz soundtracks, it remember it’s role of being a catalyst for character development-resulting in one of the most natural characterizations and drama ever.
12. Puella Magi Madoka Magica
Madoka is famously known as a deconstruction of the magical girl genre, for good measure. Not once have I watched a magical girl anime so raw, angry and grim. It is an anime about flawed human beings. It is an anime about friendship. It is an anime about consequences. It is an anime about sacrifices. It is a realistic and pessimistic rendition of the magical girl genre — Madoka portrays a great thematic element compacted tightly, but perfectly in 12 episodes.
One of the most interesting things to question about Shirobako-does it paints a realistic picture on real life anime industry? Or is everything too idealistic and sanitized? I personally think it’s the former. Even if it may be a bit sanitized, one of the reasons why I like Shirobako so much is that it is especially grounded to reality-it depicts Musashino Animation just like any other workplaces, just with the exception that they are working in the anime industry, fitted in with compelling, but realistic characters. Other than being informative and realistic, Shirobako also hits all the feels in the right, perfect places. Shirobako is an excellent anime with a lot of things to offer on the plate.
14. Hibike! Euphonium
KyoAni has always been great at “quiet atmospheres”; they are the master of the “show not tell” approach, they are the master of visual narrative instead of verbal. Hibike! Euphonium is one of my favorite KyoAni works ever-the anime is full of those little moments where each gorgeous photogenic screenshots can tell a thousand words. People enjoy Hibike for it’s subtlety; though while there are fun moments nonetheless, Hibike also executed an almost perfect high school drama centering around concert band. To encapsulate my point, Hibike is clearly one of a kind anime which just accomplished everything it sets out to do.
15. Yahari Ore no Seishun Love Comedy wa Machigatteiru
OreGairu is a romantic comedy, but as you can expect from the title (My Youth Romantic Comedy Is Wrong, As I Expected), it’s also /not/ exactly a romantic comedy in the truest sense. It is a deconstruction of the genre, and exposed the more cynical sides of socialism-something OreGairu excels in whether or not it’s through monologues, visual cues and subtleties. OreGairu is a wonderful series; while it may depict social cynicism, at it’s heart, it’s also purely just a slice of life-of insecure teens who desire simple, genuine friendship, something shown beneath layers upon layers of lies and deceit.